Ah, the Alhambra. To quote Wikipedia, “The Alhambra (Arabic: الحمراء = Al-Ħamrā’; literally “the red”) is a palace and fortress complex of the Moorish monarchs of Granada, in southern Spain (known as Al-Andalus when the fortress was constructed), occupying a hilly terrace on the south-eastern border of the city of Granada. It was the residence of the Muslim kings of Granada and their court, but is currently a museum exhibiting exquisite Islamic architecture. “

I was assigned a time to visit the Palace rather late in the day, so I toured the gardens first. They are both beautiful and functional. Food is/was grown there and they provided shade, tranquilty and privacy. I believe I read that in Islam, a beautiful garden is a reward. It is the same for water (and in many Arab cultures water is revered for the life it supports) so throughout the gardens, there are pools and fountains everywhere. Combined with the huge variety of colorful plant life, they create cool oases, calm and private resting places, and playful, fun and interesting spaces. I may have said this before but many of the plants in the region are similar to those from central Texas. I believe it is a bit more temporate but still very dry with similar soils. I saw many tourists taking photos of exotic (to them) plants that I have in my own backyard. Please check my pile of photos at http://www.flickr.com/photos/helloaud/ under the Alhambra set. As I said, they don’t really do the place justice. There were interesting courtyards, rooms and passage-ways around every corner.
The Palace itself is devoid of interior decor, but it was easy to imagine the furniture, wall-hangings and so on that filled the place. The detail is incredible and everywhere aestetics & functionality are combined. In Islam art, images of things are frowned up, so the designs are an ornamental style reflecting nature (plants mostly) and abstract design. 
These abstract designs are based on math — there is no beginning and no end, which invokes the Universe. Note of interest: M. C. Escher’s visit in 1922 inspired his following work on regular divisions of the plane after studying the Moorish use of symmetry in the Alhambra tiles.



The glazed tiles on the walls still retained their color but most of the paint had long since faded. There were gorgeous wooden doors and ceilings. And most amazingly, wall after wall decorated with a relief-like pattern of abstract design that was mind-blowing.


Oh I really want to see this in person now!!